Agatha Christie’s Poirot s05e08 Jewel Robbery at the Grand Metropolitan (1993) – 7/10 period crime detective mystery drama TV review

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Cast / crew
Writer (Original Short Story): Agatha Christie
Hercule Poirot: David Suchet
Captain Hastings: Hugh Fraser
Chief Inspector Japp: Philip Jackson
Miss Lemon: Pauline Moran
Writer (Dramatisation): Anthony Horowitz
Karl Johnson: Saunders
Elizabeth Rider: Grace
Simon Shepherd: Andrew Hall
Hermione Norris: Celestine
Producer: Brian Eastman
Director: Ken Grieve

Agatha Christie’s Poirot s05e08 Jewel Robbery at the Grand Metropolitan (1993)

Poirot is sent to the coast for a holiday after the doctor, rather disappointingly, diagnoses him as "run down" rather than heroically enduring a life-ending malaise. While he’s there, a $300,000 pearl necklace is stolen from a locked box in a drawer in a room guarded by two people.

7/10

A lot of fun but the ingenious mystery and nature of the crime is not communicated quite well enough and feels like a lot of details have been left out. It is, in fact, the reverse. The writers have added story and details that weaken the central mystery instead of adding to it. The rest of the additions to the episode are a joy, however. Japp gets a magnificent gag with a teddy bear ("That’s for your boy?" Pregnant pause. "Yes."). Poirot gets his wonderful "am I going to die" face on for the doctor at the beginning and is a little put out to discover he’s only "run down" and he gets spectacularly miffed when he keeps getting people running up to him while on holiday saying "You’re Lucky Len and I claim my ten guineas!" This climaxes in a great scene where he finally meets Lucky Len.

Classified PG by BBFC. Parental Guidance.

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Agatha Christie’s Poirot: Sad Cypress (2003) – 7/10 period murder mystery detective drama TV review

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Cast / crew
Hercule Poirot: David Suchet
Writer (Original Novel): Agatha Christie
Screenplay Writer: David Pirie
Elizabeth Dermot Walsh: Elinor Carlisle
Rupert Penry-Jones: Roddy Winter
Kelly Reilly: Mary Gerard
Paul McGann: Dr. Peter Lord
Phyllis Logan: Nurse Hopkins
Producer: Margaret Mitchell
Director: David Moore
Actor and Associate Producer: David Suchet

Agatha Christie’s Poirot Sad Cypress (2003)

A poison pen letter is brought to Poirot’s attention and though he takes it very seriously, it’s not enough to get a body exhumed for further investigation. Shortly thereafter, a murder is committed and Poirot returns only to fall short once more as a woman is sentenced to death for a crime only she had the means, motive and opportunity to commit. Yet the little grey cells refuse to settle.

7/10

"I am thirty-six times an idiot!" – Hercule Poirot

This is a nicely staged production with a good sense of atmosphere and a beautifully-judged pace. There is just enough information given to the audience for them to have worked out the mechanics of the murder themselves but no way for them to derive the motive. This isn’t a mystery where everywhere has means, motive and opportunity – only one has; Poirot’s challenge is to see that there was, in fact, another. The screenwriter’s challenge is to help the audience see that and what he does is quite interesting. Though the clues regarding the true murder are there, the audience is highly unlikely to perceive them. The only reason they will consider that Elinor Carlisle isn’t guilty is because whomever we are told is guilty in these murder mysteries is always innocent. And so, unlike Poirot, we don’t need to find another motive because we already presume that she is innocent.

This Agatha Christie’s Poirot episode contains unexpectedly unpleasant nightmare scene

Classified 12 by BBFC. Suitable only for persons of 12 years and over.

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Agatha Christie’s Poirot s05e06 The Chocolate Box (1993) – 7/10 period detective murder mystery TV review

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Cast / crew
Writer (Original Short Story): Agatha Christie
Hercule Poirot: David Suchet
Chief Inspector Japp: Philip Jackson
Writer (Dramatisation): Douglas Watkinson
Rosalie Crutchley: Madame Deroulard
Anna Chancellor: Virginie Mesnard
Director: Ken Grieve

Agatha Christie’s Poirot s05e06 The Chocolate Box (1993)

Poirot returns to Belgium for the first time in years to accompany Japp who is being honoured by the Belgian government. While there, Poirot is reminded of a case that didn’t go his way and he decides that the time is right to reveal the truth.

7/10

It’s terrific to see a young Poirot skilfully brought to life by David Suchet with his normal weight and gait and a bit of running around and a bit of extra hair on the toupé. Dramatiser Douglas Watkinson does well in structuring the story and there’s plenty to like, especially with Poirot as a burgler and his constant lack of discretion. I did chuckle happily at the scene where Poirot is asked for, not by name but, "by moustache." Even though Hastings isn’t here, there’s a lovely feeling of friendship with Poirot accompanying Japp to an award ceremony in Belgium. While the setting and atmosphere are terrific, the colour blindness that is at the heart of the detective story climax doesn’t convince. Even if pink looks green and green looks pink, couldn’t you still tell whether a lid and a box were the same colour? Regardless, a good episode.

This Agatha Christie’s Poirot episode contains violence

Classified PG by BBFC. Parental Guidance.

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Agatha Christie’s Poirot s13e03 Dead Man’s Folly (2013) – 4/10 period crime detective murder mystery TV review

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Cast / crew
Hercule Poirot: David Suchet
Writer (Original Novel): Agatha Christie
Screenplay Writer: Nick Dear
James Anderson: Michael Weyman
Rosalind Ayres: Mrs. Warburton
Sinéad Cusack aka Sinead Cusack: Mrs. Folliat
Tom Ellis: Detective Inspector Bland
Rebecca Front: Miss Brewis
Emma Hamilton: Sally Legge
Martin Jarvis: Captain Warburton
Sam Kelly: John Merdell
Stephanie Leonidas: Hattie Stubbs
Sean Pertwee: Sir George Stubbs
Daniel Weyman: Alec Legge
Nicholas Woodeson: Detective Sergeant Hoskins
Ariadne Oliver: Zoë Wanamaker aka Zoe Wanamaker
Producer: David Boulter
Director: Tom Vaughan

Agatha Christie’s Poirot s13e03 Dead Man’s Folly (2013)

Ariadne Oliver has been hired to organise a murder hunt for a fete being hosted by Sir George Stubbs but she has a nasty, niggling feeling that real crime is in the air and calls upon the services of Hercule Poirot to bristle his moustache in evil’s general direction. Certainly not to prevent any murders, good heavens, no.

4/10

Taking nearly half its running time to get to the first murder, this adaptation suffers, as so many of the feature-length Poirot‘s by choosing not to be interesting, fun or informative. The second half has trouble maintaining interest as there aren’t enough clues to construct a theorem and, somehow, there aren’t any suspects; reeling from the shock of seeing a black man in a Christie adaptation, they just send him to the gallows and congratulate themselves on a job well done. When Poirot reveals the solution, it turns out most of the information he gives is brand new and not derived from the clues supplied. In a nice touch, this was filmed on location at Greenway in Devon: Agatha Christie’s home.

This Agatha Christie’s Poirot episode contains violence

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Agatha Christie’s Poirot s13e05 Curtain: Poirot’s Last Case (2013) – 8/10 period crime detective murder mystery TV review

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Cast / crew
Hercule Poirot: David Suchet
Writer (Original Novel): Agatha Christie
Screenplay Writer: Kevin Elyot
Helen Baxendale: Elizabeth Cole
Shaun Dingwall: Doctor Franklin
Claire Keelan: Nurse Craven
Anna Madeley: Barbara Franklin
Aidan McArdle: Stephen Norton
Matthew McNulty: Major Allerton
Alice Orr-Ewing: Judith Hastings
John Standing: Colonel Toby Luttrell
Captain Hastings: Hugh Fraser
Anne Reid: Daisy Luttrell
Philip Glenister: Sir William Boyd Carrington
Producer: David Boulter
Director: Hettie MacDonald

Agatha Christie’s Poirot s13e05 Curtain: Poirot’s Last Case (2013)

Hastings travels to Stiles, location of his and Poirot’s first murder case together, to visit an ailing, wheelchair-bound Poirot. Fortunately, Poirot’s moustache and little grey cells are in as good condition as ever, but evil is here once more and Poirot aims to stop it.

8/10

Along with The Murder of Roger Ackroyd and, arguably, The Murder on the Orient Express, this is one of Agatha Christie’s most unforgettable and surprising murderers. Fortunately, screenplay writer Kevin Elyot didn’t remove that (like ITV did with Roger Ackroyd) and the episode is crisp, involving and emotional. After the highly variable quality of the feature-length episodes, it’s nice to report that the series ends on a high. Oh, and yes, of course, ITV interrupted SPOILER Poirot’s death for adverts and, of course, the ITV announcer talked all over the deliberately silent end credits.

This Agatha Christie’s Poirot episode contains adult dialogue, gory and unpleasant scenes, distressing scenes

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Agatha Christie’s Poirot s02e04 The Lost Mine (1990) – 6/10 period crime detective drama TV review

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Cast / crew
Writer: Agatha Christie
Hercule Poirot: David Suchet
Captain Hastings: Hugh Fraser
Chief Inspector Japp: Philip Jackson
Miss Lemon: Pauline Moran
Writer (Dramatisation): Michael Baker
Writer (Dramatisation): David Renwick
Anthony Bate: Lord Pearson
Colin Stinton: Charles Lester
Producer: Brian Eastman
Director: Edward Bennett

Agatha Christie’s Poirot s02e04 The Lost Mine (1990)

Poirot’s struggles in the early running of a game of Monopoly versus Hastings is mirrored in the real world with financial problems with his bank account (he’s £60 overdrawn, much to his fury and protestations). Meanwhile, he is engaged by his bank to find the owner of a map to a lost mine who failed to arrive at a crucial business meeting.

6/10

You don’t often see Poirot get the wrong end of the stick but writers Michael Baker and David Renwick deliver a delightful scene early on when Lord Pearson arrives to ask for Poirot’s help while Poirot thinks he’s come to apologise for a mistake in his account balance. It’s also great to see characters doing something other than their principle activity; in this case, Hastings and Poirot are playing Monopoly. It doesn’t really have anything to do with the plot but it is a tremendous amount of fun and reinforces the friendship between our two heroes. Sadly, the mystery aspect of the episode is uninvolving.

This Agatha Christie’s Poirot episode contains mild gory and unpleasant scenes, opium abuse

Classified PG by BBFC. Parental Guidance.

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Agatha Christie’s Poirot s10e04 Taken at the Flood (2005) – 7/10 period crime detective drama TV review

Cast / crew
Hercule Poirot: David Suchet
Writer (Original Novel): Agatha Christie
Screenplay Writer: Guy Andrews
Jenny Agutter: Adela Marchmont
Patrick Baladi: Rowley Cloade
Eva Birthistle: Rosaleen / Eileen
Elliot Lowan: David Hunter
Amanda Douge: Lynn Marchmont
Penny Downie: Frances Cloade
Claire Hackett: Beatrice Lippincott
Supt. Harold Spence: Richard Hope
Celia Imrie: ‘Aunt’ Katy Cloade
Nicholas Le Prevost: Major James Porter
Tim Pigott-Smith: Dr. Lionel Cloade
Elizabeth Spriggs: Mrs Leadbetter
Pip Torrens: Jeremy Cloade
Tim Woodward: Enoch Arden / Charles
David Yelland: George the Butler
Producer: Trevor Hopkins
Director: Andy Wilson

Agatha Christie’s Poirot s10e04 Taken at the Flood (2005)

When the Cloade family can’t get financial support from their father’s widow – a very young American actress that none of them had met before the marriage – they, rightly, blame her extremely controlling brother. As their lives were predicated around a certain amount of income, having it cut off has brought them into desperate straits but then it appears that the young actress was married before and her first husband didn’t die. The Cloade’s enlist the help of family friend and world’s greatest detective, Hercule Poirot – no, not Batman – to find evidence of bigamy. Naturally, as soon as Poirot takes on the case, someone dies.

7/10

After awkward character introductions, Guy Andrews’ adaptation improves on some details of Christie’s novel while retaining the plot that sees deaths cleverly disguised as other kinds of deaths and revelling in the energetic odiousness of the Cloade family of suspects. Acceptable changes include how Rowley identifies Arden, the nature of the explosion and Rosalie and Lynn’s fate at the end. The cast is good, especially Elliot Lowan as David Hunter and David Suchet’s Poirot is a cheerful presence.

This Agatha Christie’s Poirot episode contains adult dialogue, bad language, substance abuse, violence, gory and unpleasant scene

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