Jason Bourne (2016) – 5/10 action thriller movie review

Jason Bourne (2016)

Bourne has been living off-the-grid but Nicky Parsons learns of another ethically dubious black op training program and contacts Bourne. What she doesn’t know is that Bourne has been replaced with an indestructible cyborg replica.


Morose and completely unconvincing action thriller that sees an indestructible Jason Bourne do impossible things for next to no reason while Tommy Lee Jones scowls from behind a Tommy Lee Jones scrotum mask that has been left out in the sun for a hundred years. If they had revealed that his head had been a walnut all along, it would have been more believable than the drek the filmmakers want us to go along with here. Now, a lot of the action is alright, undoubtedly ambitious (a bike chase through a riot is incredibly impressive logistically) and some of it is genuinely thrilling but it’s not enough to distract from the uninvolving characters and story. I think this franchise would have been better off leaving the trilogy and Treadstone arc alone and continued as an A-Team, Knight Rider or Incredible Hulk thing where Bourne swans into a town or someone’s life with a problem and helps eliminate it before moving on. Instead, this is the Crystal Skulls of the Bourne franchise that we’ll probably try and just overlook.

Content Summary

This movie contains extreme violence, gory and unpleasant scenes

Classified 12A by BBFC. Persons under the age of 12 must be accompanied by an adult.

Cast / crew

Director, Producer and Writer: Paul Greengrass
Editor, Executive Producer and Writer: Christopher Rouse
Characters Creator: Robert Ludlum
Jason Bourne / David Webb: Matt Damon
Actor and Producer: Matt Damon
Tommy Lee Jones: CIA Director Robert Dewey
Alicia Vikander: Heather Lee
Vincent Cassel: Asset
Julia Stiles: Nicky Parsons
Riz Ahmed: Aaron Kalloor
Producer: Frank Marshall
Producer: Gregory Goodman
Producer: Ben Smith
Producer: Jeffrey M. Weiner

The Bourne Legacy (2012) – 6/10 action thriller movie review

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Cast / crew
Director and Writer: Tony Gilroy
Screenplay Writer: Dan Gilroy
Producer: Frank Marshall
Producer: Patrick Crowley
Producer: Jeffrey M. Weiner
Producer: Ben Smith
Creator The Bourne Series: Robert Ludlum
Jeremy Renner: Aaron Cross
Rachel Weisz: Dr. Marta Shearing
Edward Norton: Col. Eric Byer, USAF, Ret.
Stacy Keach: Adm. Mark Turos, USN, Ret.
Dennis Boutsikaris: Terrence Ward
Oscar Isaac: Outcome #3
Joan Allen: Pamela Landy
Albert Finney: Dr. Albert Hirsch
David Strathairn: Noah Vosen
Scott Glenn: Ezra Kramer

The Bourne Legacy (2012)

The ramifications of Jason Bourne’s action are rippling through sister super-soldier programs, the most closely linked of which are being shut down so as to avoid exposure. Shut down meaning killing everyone involved in a way that involves all the police, all the fire service, all the ambulances and all the media in all of the USA. Super-soldier Aaron Cross survives but has run out of his medication and sets about using his skills to procure some more.


Competent thriller that keeps your attention and provides reasonable, if mechanical, excitement but suffers from Jeremy Renner lacking charisma. He is perfunctory, convincing even, and performs fine but you’re just not invested in his story. Not even when he hilariously appears in a kitchen cupboard (which he must have been hiding in for ages and are apparently man-sized in America). While Rachel Weisz does have charisma, she isn’t the focus of the film and doesn’t have a character or story; she could just as easily be a key. Or a flower; she’s so lovely.

This movie contains graphic violence

Classified 12A by BBFC. Persons under the age of 12 must be accompanied by an adult.

Always (1989) – 8/10 fantasy action romance Steven Spielberg movie review

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Cast / crew
Director: Steven Spielberg
Screenplay Writer: Jerry Belson
Writer (Original Screenplay) “A Guy Named Joe”: Dalton Trumbo
Writer (Original Screenplay Adaptation) “A Guy Named Joe”: Frederick Hazlitt Brennan
Writer (Original Screen Story) “A Guy Named Joe”: Chandler Sprague
Writer (Original Screen Story) “A Guy Named Joe”: David Boehm
Richard Dreyfuss: Pete Sandich
Holly Hunter: Dorinda Durston
John Goodman: Al Yackey
Brad Johnson: Ted Baker
Audrey Hepburn: Hap
Producer: Steven Spielberg
Producer: Frank Marshall
Producer: Kathleen Kennedy
Music: John Williams

Always (1989)

Fire fighting pilot Pete saves best friend Al’s life by sacrificing his own. He is sent back by an angel to help influence the life of another trainee fire-fighting pilot, Ted Baker. However, a chance meeting by this trainee reintroduces Pete to his former love, Dorinda. Will he concentrate on his duty or will he make a futile attempt to rekindle his long-lost romance?


This is a forgotten Spielberg; a gem awaiting your discovery. This is an emotionally engaging fantasy romance with some good humour and outstanding action. It’s certainly not above criticism as it’s not consistently convincing and the Dreyfuss-Hunter romance for the first part of the movie feels lifted from an animated movie. However, all of the action sequences are extremely thrilling and spectacular, there are a number of lovely scenes and the climax works emotionally. Also, Always contains a mighty Hitler moustache gag that you probably won’t ever see again in a Spielberg movie.

This movie contains mild adult dialogue, mild bad language, mild unpleasant scenes and Holly Hunter in adorably chunky white socks

Classified PG by BBFC. Parental Guidance.


Who Framed Roger Rabbit (1988) – 7/10 period fantasy detective action comedy movie review

Cast / crew
Director: Robert Zemeckis
Writer (Screenplay): Jeffrey Price
Writer (Screenplay): Peter S. Seaman
Producer: Robert Watts
Producer: Frank Marshall
Bob Hoskins: Eddie Valient
Christopher Lloyd: Judge Doom
Writer (Original Book) “Who Censored Roger Rabbit?”: Gary K. Wolf
Executive Producer: Steven Spielberg
Director of Animation: Richard Williams
Charles Fleischer: the voice of Roger Rabbit
Stubby Kaye: Maroon
Joanna Cassidy: Dolores

Who Framed Roger Rabbit (1988)

Toon town boss R.K. Maroon is found dead after toon star Roger Rabbit discovers that his wife, Jessica, had been playing pat-a-cake with him. Roger turns to alcoholic private detective Eddie Valiant is a bid to clear his name but Valiant’s had enough of toons to last him a lifetime.


Technically astonishing, yes, but the real surprise is a story and lead characters that work and make you forget the make-believe miracles happening on-screen. An outstanding reference-quality live-action performance from Bob Hoskins that should have earned him at least an Oscar nomination is backed up by unforgettable bad guy work from Christopher Lloyd and great voice acting from Charles Fleischer and Kathleen Turner / Amy Irving (who also get one of the all-time great screen entrances). Tonally, it’s a bit off in places with the climax particularly horrific and not just for a BBFC PG; it’s one of the most graphically and unforgettably horrible villain exits ever filmed and is absolutely not for children.

This movie contains bad language, adult dialogue and extremely graphic and extremely unpleasant scenes and graphic violence.

Classified PG by BBFC. Parental Guidance.

The Curious Case of Benjamin Button (2008, Fantasy Romance Movie) – 5/10 review

Director: David Fincher
Writer (Screenplay): Eric Roth
Writer (Screen Story): Eric Roth
Writer (Screen Story): Robin Swicord
Writer (Original Short Story): F. Scott Fitzgerald
Producer: Kathleen Kennedy
Producer: Frank Marshall
Producer: Ceán Chaffin
Brad Pitt: Benjamin Button
Cate Blanchett: Daisy
Taraji P. Henson: Queenie
Julia Ormond: Caroline
Jason Flemyng: Thomas Button
Mahershalalhashbaz Ali: Tizzy
Jared Harris: Captain Mike
Elias Koteas: Monsieur Gateau
Phyllis Somerville: Grandma Fuller
Tilda Swinton: Elizabeth Abbott

Curious Case of Benjamin Button, The (2008)

Benjamin Button is a most unusual man: he was born old and is growing younger.


So here’s the thing: if Brad Pitt aged normally, the film wouldn’t be any different. As it is, this is a pompous film that is not as revealing as it thinks it is. It feels like a humourless and ridiculously long version of Forrest Gump. It also feels terribly unconvincing in details (for example, a clock that runs backward is made for a train station and everyone just goes ‘okay’) as well as in the romantic arc of the story and in using characters that have modern sensibilities in period settings. Director David Fincher paces things delicately and has made a technically clever production but is ultimately saved by his star, Brad Pitt. Pitt is the sole reason to the watch as he never puts a foot wrong. He never feels unconvincing, he never feels fake; but everything else does. This isn’t a good film but Brad Pitt is worth watching. If you’re curious.

This movie contains sexual swear words, adult dialogue and strong gun violence and sex scenes.

Classified 12A by BBFC. Persons under the age of 12 must be accompanied by an adult.