A Countess from Hong Kong (1966, Movie) – 6/10 review

Writer: Charles Chaplin
Director: Charles Chaplin
Marlon Brando: Ogden
Sophia Loren: Natascha
Sydney Chaplin: Harvey
Tippi Hedren: Martha
Patrick Cargill: Hudson
Margaret Rutherford: Miss Gaulswallow
Charles Chaplin: An Old Steward
Music Composer: Charles Chaplin

Countess from Hong Kong, A (1966)

A Russian countess stows away on a liner headed for America and complicates everyone’s life.

6/10

A mistakenly-cast Marlon Brando (original choice Rex Harrison would have worked a treat) catatonically drones his way through this romantic comedy which is otherwise smooth and good-looking (Sophia Loren in outsize pajamas, cool) but thin on both romance and comedy. This is Chaplin’s final movie as actor or director and it’s a shame he didn’t finish his career with Limelight.

Classified PG by BBFC. Parental Guidance.

Terminator: Salvation (2009, Game, 360) – 6/10 review

Terminator: Salvation Terminator: Salvation (2009)

John Connor, a resistance fighter in a future war against machines, hot-headedly goes to rescue a fellow fighter stranded inside a Skynet facility against the orders of his commanding officer and knowing it’s likely a death sentence. But he’s human, not a machine, and the odds don’t matter when a life is at stake.

6/10

For everything Terminator: Salvation does right, the teammate AI does something wrong, typically stand in a really unhelpful place and never move. Play the game in human co-op, and the mild tactical requirements of gameplay (one of you has to distract an enemy while the other shoots it in a weak point, usually the back, and you must make use of cover) shine through and it’s good fun. The game is well enough presented, doesn’t spoil the movie and is simple to play. The Achievements are easy and the game doesn’t outstay it’s welcome; i.e., it’s short, about half the length of similar games, and you would be miffed if you paid full price for it. So rent it.

This Terminator: Salvation game contains mild gun violence.

Classified 16+ by PEGI. The game is only suitable for persons who have reached the age of 16 or over..

Superman (1978, Movie) – 10/10 review

Producer (Presents credit): Alexander Salkind
Marlon Brando: Jor-El
Gene Hackman: Lex Luthor
Director: Richard Donner
Christopher Reeve: Superman / Clark Kent
Ned Beatty: Otis
Jackie Cooper: Perry White
Glenn Ford: Pa Kent
Trevor Howard: 1st Elder
Margot Kidder: Lois Lane
Composer: John Williams
Writer (Characters’ Creator) Superman: Jerry Siegel
Writer (Characters’ Creator) Superman: Joe Shuster
Writer (Story): Mario Puzo
Writer (Screenplay): Mario Puzo
Writer (Screenplay): David Newman
Writer (Screenplay): Leslie Newman
Writer (Screenplay): Robert Benton
Creative Consultant: Tom Mankiewicz
Associate Producer: Charles F. Greenlaw
Executive Producer: Ilya Salkind
Producer: Pierre Spengler
Writer (Additional Script Material): Norman Enfield

Superman (1978)

Kryptonite baby Kal’el is sent to planet Earth to save his life before the planet Krypton itself is destroyed by a nearby Sun.The baby is discovered by the Kent family and brought up as a ‘normal’ human but here on Earth he has extraordinary talents and strengths. After the death of his adopted father, the now Clark Kent is impelled to go North and learns about his real identity. He decides to use his powers for good and is given the tag Superman by love interest Lois Lane. However, super criminal Lex Luthor has plans to destroy all of California in a landscam deal and has discovered a way to prevent Superman stopping him.

10/10

Superlative fantasy action adventure; easily my favourite movie. Even thirty years on, this is the greatest superhero movie ever made and, yes, you will still believe a man can fly. It’s greatest achievement, however, is that the movie has such a clean, good core; Christopher Reeve’s brilliant performance has an innocence with no darkness, no dishonesty, no possibility of corruption. Even Gene Hackman’s villain is effective and fun without being horrible or graphically violent. Thirty years on, filmmakers and writers have simply forgotten how to make superhero movies without extreme violence (see Superman Returns). That said, they also appear to have forgotten how to edit action sequences, how to portray character, how to tell a story, and how to have a point to your movie aside from generating money. The fact that this movie can never be matched for it’s heart due to the deterioration of the world’s morality and ‘movie violence solves everything’ ethos makes Superman even more special.

This movie contains mild adult dialogue and scary scenes (being buried alive).

Classified PG by BBFC. Parental Guidance.

The Teeth of the Tiger (2003, Book) – 7/10 review

Writer: Tom Clancy

Teeth of the Tiger, The (2003)

7/10

A little less in the way of how-to-build-your-own submarine / nuclear bomb / capitalist economy (delete as appropriate) and more in the way of preparation for and execution of field work makes this entertaining skilful book simpler than some of Clancy’s other country-juggling Jack Ryan thrillers. The baton is passed to Jack, Jr., who closes the book by, essentially, thumbing his nose, wiggling his fingers and saying nah-nah-ne-nah-nah SPOILER to an enemy of America as he watches him die. It feels a little inappropriate given the navel-gazing done during the remainder but provides a fittingly American climax.

This book contains sexual swear words and graphic violence, unpleasant scenes and references to sexuality.

The A-Team 1.01,02 Mexican Slayride (1983, TV) – 4/10 review

George Peppard: John "Hannibal" Smith
Melinda Culea: Amy Amanda Allen
Tim Dunigan: Templeton "Face" Peck
Dwight Schultz: "Howling Mad" Murdock
Mr. T: Bosco "B.A." Baracus
Executive Producer: Stephen J. Cannell
Co-Executive Producer: Frank Lupo
Writer (Series’ Creator): Frank Lupo
Writer (Series’ Creator): Stephen J. Cannell
Writer: Frank Lupo
Writer: Stephen J. Cannell
Director: Rod Holcomb
William Lucking: Colonel Lynch
Philip Sterling: Grant Eldridge
Sergio Calderon: Valdez
Ron Palillo:
Melody Anderson: Avon – Airplane Salesgirl
William Windom: Al Massey
Stunt Coordinator: Craig R. Baxley
Second Unit Director: Craig R. Baxley

A-Team, The 1.01,02 Mexican Slayride (1983)

Reporter Al Massey gets himself kidnapped in Mexico but friend and fellow reporter Amy Allen can’t get anyone to help or take her seriously when he doesn’t report in. She hears about a team of mercenaries called the A-Team and sets out to find if they really exist and if she can hire them.

4/10

It’s rather difficult to see what made the A-Team such a successful show from this pilot. It doesn’t have an interesting or even convincing story and the script is regularly so awful, it is as if the makers presume audiences don’t watch their show with the sound on. George Peppard doesn’t even play himself all the way through enlisting a back-of-wig double even for some dialogue scenes. The two things that do stand out about this pilot episode are a number of terrific vehicle stunts and, unforgettably, Mr T. He delivers the gruff exterior / sweet interior character with considerable charm and charisma and would be rewarded by becoming an international icon.

This A-Team, The episode contains bad language and violence.

Classified PG by BBFC. Parental Guidance.

Slimm GBPVR 1.8.3447.20163 released

GB-PVR logo

To install:

For all details regarding current version, please see documentation which is installed alongside the utility and is available in the GBPVR start menu group.

 

This release:

Tray Features

  • The tray icon can now have a tooltip allowing you to disable the balloon if you wish and still receive information by hovering over the icon. The Tray Configuration form has a new System Tray Tool-tip area to customise the tool-tip. They are also a couple of additional registry settings to customise the tool-tip.
  • "Delay shutdown when intercepted" added to Tray Configuration/Advanced/Shutdown options.
  • If Slimm GBPVR is already running, when you start a new copy it will terminate the old one. This is handy for when Windows Explorer crashes and doesn’t restore the icon. Now you simply run Slimm GBPVR again; the old instance will be terminated and the new one, with a shiny new icon, will execute. It has been used to provide command-line access to Slimm GBPVR’s delayed shutdown features.
  • Command line switch /shutdown added.

Tray Bug Fixes

  • If Slimm GBPVR cannot retrieve the tuner status (if, for example, one of your tuners has crashed), it will not execute an automatic (delayed) shutdown.
  • Tuner Status warning and error messages (that appear when the tuner status cannot be retrieved once or several times respectively) now use balloon tips instead of message boxes.
  • Auto-restart recording service now attempts to restart service a few times before throwing up an error balloon and not trying again.
  • Multiple instances of Slimm GBPVR are now closed via PostThreadMessage WM_QUIT instead of Process.Kill. This means that the application closes properly and the system tray icon is removed.

Tray Coding

  • Slimm GBPVR now sets ES_AWAYMODE_REQUIRED for SetThreadExecutionState in compliance with Vista’s new rules on power management.
  • Vista and above only: Slimm GBPVR also sets ShudownBlockReason while GBPVR is recording so that when it prevents a system shutdown, Vista can tell the user why.

GBPVRcli Features

  • /tunerstatus switch added.

 

Support:

You can post support queries on the Slimm GB-PVR forum hosted at GB-PVR.com.

 

Donations:

Donations gratefully accepted. Click the button to send me £1 or more. Thanks.

7 Seconds (2005, Movie) – 3/10 review

Director: Simon Fellows
Wesley Snipes: Jack Tuliver
Tamzin Outhwaite: Kelly Anders
Pete Lee-Wilson: Alexsie
Deobia Oparei: Spanky
Georgina Rylance: Suza
Director of Photography: Simon Fellows
Writer: Martin Wheeler
Martin Wheeler: Cole

7 Seconds (2005)

Ex-Delta Force dude Jack Tuliver has become a master thief (it’s the law or something) and his latest target is a $20 million casino cash heist but it’s complicated by the presence of a $65 million Van Gogh in the loot meaning the stakes are even bigger than he thought. Because, you know, no-one cares about $20 million in cash.

3/10

It’s vaguely exciting and never loses the interest but star Wesley Snipes is probably the weakest link in the movie as he disdainfully trudges his way through his lines and action. His half-heartedness (look at his face on the DVD cover) is made more obvious because he occasionally remembers he is actually a highly capable actor but his talent only comes through in snippets. Co-star Tamzin Outhwaite is much more interesting on-screen and strides around with rather more purpose and charisma until she is sidelined for Snipes’ action climax. Outhwaite’s the reason I rented and she is fine but is capable of being great in something much better.

This movie contains strong adult dialogue, sexual swear words and extreme and graphic violence, extremely unpleasant scenes and sex scene, female nudity.

Classified 15 by BBFC. Suitable only for persons of 15 years and over.

N3: Ninety-Nine Nights (2006, Game, 360) – 6/10 review

Director: Sang Youn Lee
Producer: Tetsuya Mizuguchi
Creative Director: Henry Lee

N3: Ninety-Nine Nights (2006)

Inphyy and Aspharr leads the Knights into battle against the Goblins to prevent them obtaining and combining the Orbs of Light and Dark and bringing an apocalyptic ninety-nine days of darkness before taking over rulership of the world.

6/10

This is a badly-designed game with good, fun, spectacular, button-mashing, combo-learning gameplay. The most obvious, though excusable, barrier is a lack of checkpointing; you have to slog through a level then get instantly splatted by a fresh boss (rinse and repeat). Inexcusable is that the game is so badly designed it isn’t even hinted that you have to play through all eight characters to unlock a secret mission (for Inphyy) to actually finish the story and complete the game. This is a shame as all the characters are fun and different to play and some of their Orb Spark attacks are some of the most spectacular ever seen in video games. Special mention for some frequently outstanding music.

This game contains extended extreme but non-graphic and stylised violence.

Classified 12+ by PEGI. The game is only suitable for persons who have reached the age of 12 or over.

The Hunchback of Notre Dame (1996, Disney Movie) – 9/10 review

Director: Gary Trousdale
Director: Kirk Wise
Producer: Don Hahn
Writer (Animation Story): Tab Murphy
Writer (Original Novel) Notre Dame de Paris: Victor Hugo
Writer (Animation Screenplay): Tab Murphy
Writer (Animation Screenplay): Irene Mecchi
Writer (Animation Screenplay): Bob Tzudiker
Writer (Animation Screenplay): Noni White
Writer (Animation Screenplay): Jonathan Roberts
Composer (Song Music): Alan Menken
Composer (Lyrics): Stephen Schwartz
Tom Hulce: Quasimodo
Supervising Animator Quasimodo: James Baxter
Demi Moore: Esmeralda
Heidi Mollenhauer: Esmeralda
Supervising Animator Esmeralda: Tony Fucile
Tony Jay: Frollo
Supervising Animator Frollo: Kathy Zielinski
Kevin Kline: Phoebus
Supervising Animator Phoebus: Russ Edmonds

Hunchback of Notre Dame, The (1996)

Deformed baby Quasimodo is brought up by scheming evil government official Frollo in the Cathedral of Notre Dame and is given the task of ringing and caring for the bells. His life is reasonably happy but he would really like to leave the confines of the cathedral and find out what life is really like ‘out there’ but realising this dream means disobeying Frollo and putting the lives of himself and those he meets in great danger.

9/10

As time goes on, this unique Disney animation (the sole one dealing with entirely adult matters such as self-righteousness, sin, and the seduction of sex and power) becomes more clearly a masterpiece. The songs take a bit of getting used to but contain challenging and interesting lyrics and are better written than they seem at first. The screenplay is also outstanding as it manages to balance and present the weighty morals with clarity ("what makes a monster and what makes a man?") and, when appropriate, fun. Technically, the movie looks superb with Quasimodo’s animation a easy-to-overlook highlight (it’s very hard to draw something consistently from all angles that is deliberately distorted so special mention for supervising animator James Baxter). The movie saves it’s big animation guns for the finalé ("Sanctuary!") making it all the more impressive while the story rightly ends with the ugly guy not getting the girl which, as us ugly guy’s know, is exactly how it is.

This movie contains disturbing scenes, supernatural scenes and unpleasant scenes.

Classified U by BBFC. Universal: Suitable for All.

Transformers: Revenge of the Fallen (2009, Movie) – 4/10 review

Director: Michael Bay
Writer: Ehren Kruger
Writer: Roberto Orci
Writer: Alex Kurtzman
Shia LaBeouf: Sam Witwicky
Megan Fox: Mikaela Barnes
Josh Duhamel: Major Lennox
Tyrese Gibson: USAF Master Sergeant Epps
John Turturro: Simmons

Transformers: Revenge of the Fallen (2009)

Since the incident in Los Angeles, Optimus Prime and the Autobots have been protecting Earth from the Decepticons while Sam prepares to go to college. A shard of the Allspark, however, is discovered and Sam’s life is about to turn upside-down again.

4/10

If the first was a glorious mess, then this boring, fun-free sequel is just a mess. This is very much an idea-free zone with no clear plot, no clear character arcs and endless, meaningless, interchangeable action with apparently random robots that makes absolutely no sense. I think it takes supremely arrogant writers to write such random garbage because, if it were me, I simply could not stand the inconsistencies (in the franchise and within just this movie) and presence of baffling stereotypes spouting cut-and-paste dialogue from a collection of bad movie scripts. People need to stop employing Orci and Kurtzman and stop now. Michael Bay and his actors all put a lot of effort in but, aside from the fact that it frequently looks fabulous, it’s all wasted.

This movie contains partial sexual swear words, mild swear words, adult dialogue and comic substance abuse and extreme mecha violence, extremely unpleasant scene and sexuality.

Classified 12A by BBFC. Persons under the age of 12 must be accompanied by an adult.

Meet the Robinsons (2007, Disney Movie) – 4/10 review

Director: Stephen John Anderson
Producer: Dorothy McKim
Writer (Screenplay): Jonathan Bernstein
Writer (Screenplay): Michelle Spitz
Writer (Screenplay): Don Hall
Writer (Screenplay): Nathan Greno
Writer (Screenplay): Aurian Redson
Writer (Screenplay): Joseph Mateo
Writer (Screenplay): Stephen John Anderson
Writer (Original Book) A Day with Wilbur Robinson: William Joyce
Executive Producer: William Joyce
Angela Bassett: Mildred
Daniel Hansen: Lewis
Jordan Fry: Lewis
Stephen John Anderson: Bowler Hat Guy
Ethan Sandler: Doris / CEO / Spike / Dmitri
Supervising Animator Lewis: Nik Ranieri
Supervising Animator Wilbur: Dale Baer
Supervising Animator Bowler Hat Guy: Dick Zondag
Supervising Animator Doris and Little Doris: Jay N. Davis

Meet the Robinsons (2007)

Orphan Lewis is whisked away by a time-travelling boy called Wilbur Robinson to the future. It’s not as creepy as it sounds. Well, not quite.

4/10

While it’s certainly not devoid of merit, ideas, or, eventually and surprisingly, emotion (director Stephen John Anderson has clearly poured himself into this), it is ostentatiously unfunny which is a big problem for almost the entire movie. It also seems to be lacking detail in design and character animation and feels more like a very crisp-looking television animation or one of those direct-to-video Disney knock-offs. Voice work for the children is consistently excellent and the human baddie (voiced by the director) is the movie’s contribution to the Disney canon. It ends with a quote from Walt Disney himself but, it is sad to note, the company he created is currently at an all-time artistic and entertainment low. Since the turn of the millennium it has had absolutely no idea about how to make a decent animated film just, sadly, how to turn a good profit from past glories.

This movie contains written inferred sexual swear word, adult dialogue.

Classified U by BBFC. Universal: Suitable for All.

Reign of Fire (2002, Movie) – 8/10 review

Matthew McConaughey: Van Zan
Christian Bale: Quinn
Izabella Scorupco: Alex
Gerard Butler: Creedy
Alice Krige: Karen Abercromby
Producer: Richard D. Zanuck
Producer: Lili Fini Zanuck
Producer: Gary Barber
Producer: Roger Birnbaum
Writer (Story): Gregg Chabot
Writer (Story): Kevin Peterka
Writer (Screenplay): Gregg Chabot
Writer (Screenplay): Kevin Peterka
Writer (Screenplay): Matt Greenberg
Director: Rob Bowman

Reign of Fire (2002)

After dragons return to and devastate the earth, small pockets of survivors try to scratch a meagre existence. One such pocket, led by Quinn, is about to receive a visit, however, from an American and his troops who are on their way to London to kill the bull dragon responsible for fertilizing the planet’s entire population.

8/10

Surprisingly, for an apocalyptical movie, this is a not-depressing but thrilling adventure with some spectacular dragon effects. Also, somewhat amazingly, this is the only dragon movie ever made that is any good at all (Dragonslayer is awful outside of the dragon and people don’t like it when you mention Pete’s Dragon). For that, I think I need to give it an extra star.

This movie contains a single sexual swear word, mild swear words and strong melee violence, unpleasant scenes.

Classified 12A by BBFC. Persons under the age of 12 must be accompanied by an adult.

Tetsuwan Birdy Decode aka Birdy the Mighty Decode (2008, TV, Anime) – 7/10 review

Writer: Masami Yuki
Director: Kazuki Akane

Tetsuwan Birdy Decode aka Birdy the Mighty: Decode (2008)

Birdy Cephon, an intergalactic police officer, finally catches up with her latest quarry after six months undercover as an idol (famous model) on Earth but her attempts to apprehend him result in a major change of plan.

7/10

Birdy the Mighty Decode is more intriguing, fun and boasts much better action than expected. Character designs and direction ensure that we are instantly familiar with each major character introduced without confusion. There is a story running through all thirteen episodes and though one (episode seven about a serial killer) feels like padding they are consistently engaging and manage to balance fun with intrigue and sinister goings-on. It all builds to the separation of Birdy and Tsutomu (which surprisingly happens before the last episode) and a battle against the series’ threat, Ryunka, which is resolved entirely fittingly.

This series contains mild swear words and extreme fantasy violence, unpleasant scenes, unpleasant monster scenes, graphic blade violence, silhouetted extreme graphic violence and mild fan-service, mild non-sexual nudity, sensuality.

Xbox 360 vs PS3 Head-to-Head Face-Off: Round 20

Every so often, Eurogamer run a series of technical comparison reviews for games released on both Xbox 360 and PlayStation 3.

This is the latest update while the full list is here.

  • PS3 better gamers.eurogamer.net Bionic Commando
  • 360 better  Fuel
  • 360 better  Ghostbusters: The Video Game 
  • 360 better  Prototype
  • 360 better  Red Faction: Guerilla
  • 360 better  X-Men Origins: Wolverine

Microsoft Word: Change Case Keyboard Shortcut Shift+F3

I often paste an address from a PayPal receipt and it never ceases to amaze how often people have entered their address without proper capitalisation; not for their name or even their postcode.

Word provides a function that changes the case of selected text (Format menu->Change Case) but it feels quicker just to go through and change the capitalisation by hand. However, there is a keyboard shortcut for this function: Shift+F3.

This cycles your text through “lowercase”, “UPPERCASE” and “Title Case” or “Sentence case”. If you’ve selected what appears to be a single sentence or line, Title Case is applied and all words are capitalised. If you’ve selected what appears to be multiple sentences or lines, Sentence case is applied and the first word of each sentence or line capitalised.

The Lion King II: Simba’s Pride (1998, Disney DVD Movie) – 5/10 review

Director: Darrell Rooney
Co-Director: Rob LaDuca

Lion King II: Simba’s Pride, The (1998)

Now king of Pride Rock, Simba has to deal with the exiled Scar supporters who still threaten Simba’s personal circle of life.

5/10

If the original Lion King was Hamlet, this direct-to-video sequel is Romeo and Juliet. In a break from musical sequel tradition the new original songs are generally rather good with the best being the brilliant He Lives In You (the only one from the original film composer Hans Zimmer). Sadly these are wasted because the rest of the movie is often as average as expected and more often completely mistaken in concept. The main single problem is the script which replays lines and scenes from the original with no interpretation, imagination, wit or style and only succeeds in weakening this movie.

Classified U by BBFC. Universal: Suitable for All.

Links

The Lion King (1994, Disney Movie) – 8/10 review

Director: Roger Allers
Director: Rob Minkoff
Producer: Don Hahn
Writer (Screenplay): Irene Mecchi
Writer (Screenplay): Jonathan Roberts
Writer (Screenplay): Linda Woolverton
Composer (Songs): Tim Rice
Composer (Songs): Elton John
Music Composer: Hans Zimmer
Executive Producer: Thomas Schumacher
Executive Producer: Sarah McArthur
Jonathan Taylor Thomas: Voice: Young Simba
Supervising Animator Young Simba: Mark Henn
Matthew Broderick: Voice: Adult Simba
Supervising Animator Adult Simba: Ruben A. Aquino
James Earl Jones: Voice: Mufasa
Supervising Animator Mufasa: Tony Fucile
Jeremy Irons: Voice: Scar
Supervising Animator Scar: Andreas Dejá

Lion King, The (1994)

When Simba, the future lion king, causes his father’s death he, full of remorse and guilt, flees the scene leaving evil Uncle Scar to assume the throne. Little does he know that Scar actually planned his father’s death and that his lands have now become desolate and wasted. Urged by a collection of friends, Simba recollects his pride (pun not intended!) and remembers his responsibility to take his place in the circle of life.

Note: re-released in 2003, remastered in IMAX format with the song “Morning Report” added.

8/10

Disney film which suffers from some bland characters but benefits from a number of standout animated sequences and some memorable songs from Elton John. It starts great, has great bits in it and ends great.

This movie contains violence (some graphic), unpleasant and distressing scenes.

Classified U by BBFC. Universal: Suitable for All.

Links

The film starts perfectly with one of cinemas most professional and impressive openings. The lack of character is noticeable for a short period thereafter thanks to some poor one-liners but the film makes up for this with some tremendous sequences. The most memorable is probably the wildebeest stampede which brilliantly uses top computer animation. The ‘Can You Feel the Love Tonight?’ sequence is also brilliant though the animation suffers a little from being photographed too close. The ‘Remember’ sequence manages to do the impossible, make James Earl Jones voice even deeper, more booming and more resounding. The final fight sequence is superbly animated, skilfully choreographed and the visual effects are very neat. The poor characters are, sadly, the main characters. Simba and Nala are both very bland and very weak and it is left to a menagerie of supporting characters to take the weight of interest. Timon and Pumbaa are superb, the three hyenas are pretty good and the monkey is great but it should be a criminal offence not to exploit the sensational comic genius of Rowan Atkinson. He is given a whole number of weak lines punctuated by one or two good ones and it is to his credit that his character, Zazu, is not truly unfunny.

The music is outstanding, Elton John’s songs are very catchy and used brilliantly. The best used is ‘Circle of Life’ which opens and closes the film to stunning effect. Elton John was, apparently, a little unhappy with how Disney proposed to use ‘Can You Feel the Love Tonight?’ but upon seeing the final version in the film he changed his mind. Musically, it is one of the film’s best momemts. Hans Zimmer complements and uses John’s tunes very well indeed and, while I do not feel he supplies a particularly unique score, it works really well throughout and is probably the single biggest contributor to the emotional impact of the movie.

The animation is generally good, much better than anything from any other studio at the time, but still not up to the standard of Disney’s efforts up to and including 1959’s Sleeping Beauty. Also, despite extensive live-action study, the animals do not always move convincingly, the character animation in the earlier classic The Jungle Book is far better (and it’s rather obvious to animation fans where it was traced for Scar). Moving the lions faces in three dimensions also clearly posed a challenge as facial features (Mufasa’s especially) some distort when they turn their head. As an amusing aside and as noted on the television sitcom Third Rock from the Sun the plot is very similar to Hamlet by William Shakespeare.

All these points, however, do not detract from the sheer entertainment value on offer. This film is a masterful manipulator of emotion with several tear-welling scenes, several funny bits and, unusually for an animated movie, several genuinely exciting sequences. As far as entertainment goes, this is one of Disney’s finest ever efforts and was rewarded by taking over 101 Dalmations (!) crown as the most successful Disney movie ever. It also became one of the most successful movies released ever and, for several years, resided in the top five all-time highest grossing films. In 2003 it was replaced by Finding Nemo as the highest grossing animated film in history.

The Mentalist Season One (2008, 2009, TV) – 7/10

Writer (Creator): Bruno Heller
Simon Baker: Patrick Jane
Robin Tunney: Teresa Lisbon
Tim Kang: Kendall Cho
Owain Yeoman: Wayne Rigsby
Amanda Righetti: Grace Van Pelt
Gregory Itzin: Virgil Minelli

Mentalist, The

Former ‘psychic’ Patrick Jane uses his skills of observation and psychology to help the California Bureau of Investigation close cases. He is haunted by the murder of his wife and daughter by serial killer Red John but it was that event that caused him to abandon the deceptive career as a psychic and embark on a career of justice.

7/10

A good new crime series. Our hero character is the main draw, though the support characters, especially Tim Kang as the awesomely nonchalant Kendall Cho, have been just interesting enough to be, er, interesting without being too distracting. While our hero is a stereotypical oddball maverick genius he brings something new to the table which is a complete lack of action-man gung-ho. Several times during the show he near soils himself when confronted with a gun and always allows Robin Tunney’s Agent in Charge to take the lead. Most refreshing. While I preferred the similarly themed Lie To Me (which worked better emotionally), I look forward to season two.

This Mentalist, The episode contains adult dialogue and gory and unpleasant scenes, strong violence.

Pirates of the Caribbean: At World’s End (2007, Game, 360) – 4/10 review

Pirates of the Caribbean: At World’s End (2007)

4/10

This is a real shame. For a good while, this game works well. It’s simple to play (though, typically for movie games, the controls feel more complicated than they are), looks quite nice and progress is tangible and smooth. As we reach the At World’s End portion of the game, though, the developers decide to drag out the game by making the combat sequences and duels go on for far too long. As both elements are extremely simple or uninvolving, the earlier, shorter bursts (defeating half-a-dozen dudes, for example) are okay while later battles drag on wearily. Oh, and, bizarrely, Jack can’t swim. In the end, the game is tiresome but it was nearly a very decent movie tie-in.

This game contains mild abusive language and extended, occasionally strong, sword violence, extended melee violence.

Classified 16+ by PEGI. The game is only suitable for persons who have reached the age of 16 or over..
Classified Violence by PEGI. Game contains depictions of violence.

Jesus’ Vital Role in God’s Purpose

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You know the scripture that says “all things are possible with God”? (Matt. 10:27) I’ve found something that he couldn’t do and it clearly shows just how vital Jesus’ role in God’s purpose is.

Jesus has been intimately involved in God’s purpose since day one. Colossians 1:17 talks about this time:

“Also, he is before all [other] things and by means of him all [other] things were made to exist”

Jesus was deeply involved in the creative works. He is called a “master worker” (Prov. 8:30) and Jehovah is likely speaking to him during the Genesis account when he said “Let us make man in our image, according to our likeness.” (Gen. 1:26) So Jesus has always been very important in the outworking of his Father’s purpose but, of course, the rebellion in Eden occurred and that changed his role considerably. From that point on, Jesus became vital to the successful outworking of Jehovah’s purpose. How vital? Without Jesus, Jehovah could not accomplish his purpose; in fact, it would become impossible for Jehovah on his own to fulfil his purpose; that’s how vital.

Satan caused mankind to become alienated from God and slaves to sin and death from imperfection. To accomplish Jehovah’s purpose those things would need to be reversed and would require Jesus to do something that Jehovah could not. Mark 10:45 tells us what that was:

“For even the Son of man came, not to be ministered to, but to minister and to give his soul a ransom in exchange for many.”

Justice demanded that a ransom be paid to buy back what had been lost. But Jehovah couldn’t give his soul as a ransom; he is immortal and cannot die. It wasn’t possible for him to do this himself. Instead, Jesus willingly undertook this most selfless of tasks and so enabled Jehovah’s purpose to still come to fruition. And when we mention the death of Jesus, we remember that it was an awful, awful experience.

Jesus came to Earth knowing that when his end came, it would be painful and humiliating. He knew how criminals were executed. He knew they were flogged and nailed to something. Look at your hand. Look at your wrist. Imagine someone carefully placing a huge, blunt nail just there. Stare at it. Then, BAM! Jesus knew this, and did it anyway. Why? Because he wants to see God’s purpose fulfilled and because he loves us.

Jesus also knew that he would have to resist calling upon Jehovah for a rescue. He made a point of this, first telling his apostles that he could call legions of angels if he wanted to and later proclaiming on the torture stake that Jehovah had forsaken him; that he had no protection from above. It’s all very well going into something knowing that you’ve got superpowers and God on your side; it’s something entirely different going into something knowing that you can’t use those powers and God will not be stepping in to put a premature end to it.

Jesus knew this, and did it anyway. Why? Because he wants to see God’s purpose fulfilled and because he loves us.

Without Jesus, without this sacrifice, God’s purpose could not be fulfilled. With Jesus and his remarkable sacrifice, it could.

Scriptural proof? Remember that Satan caused mankind to become alienated from God? Note what Colossians 1:19,20 tells us about Jesus sacrifice:

“[God] saw good for all fullness to dwell in him, and through him to reconcile again to himself all [other] things by making peace through the blood [he shed] on the torture stake, no matter whether they are the things upon the earth or the things in the heavens.”

To reconcile means to re-establish a close relationship between. All things in heaven and earth were reconciled to God through Jesus’ death. Remember Jesus himself talked about this earlier: “I am the way and the truth and the life. No one comes to the Father except through me.” (John 14:6) Only by putting faith in Jesus can we have a close relationship with Jehovah. Having a close relationship with Jehovah is part of his purpose and Jesus’ role is vital.

What effect did the ransom sacrifice have with regard to sin and death? Yes, look at Hebrews 2:14, 15:

“Therefore, since the “young children” are sharers of blood and flesh, he also similarly partook of the same things, that through his death he might bring to nothing the one having the means to cause death, that is, the Devil; and [that] he might emancipate all those who for fear of death were subject to slavery all through their lives.”

Not only did Jesus sacrifice emancipate or liberate mankind from slavery to sin and death but he also provided the final nail in Satan’s coffin. After this point, Satan remains alive only to see the ultimate fulfilment of Jehovah’s purpose. Once His purpose has come to fruition, Satan will be destroyed.

What does freedom from slavery to sin and death mean? John 3:16

“For God loved the world so much that he gave his only-begotten Son, in order that everyone exercising faith in him might not be destroyed but have everlasting life.”

No sin means no death. No death means, obviously, everlasting life. Everlasting life for mankind is part of God’s purpose and Jesus’ role is vital.

It was impossible for Jehovah to send himself to Earth as a human and die because he cannot die. It was impossible for us to pay the ransom of a perfect human life. But God didn’t want this to be a Catch-22 and so he gave his Son and his Son willingly submitted. He could be sent to Earth and offer his perfect human life as a ransom sacrifice, once for all time.

This talk doesn’t begin to cover every role that Jesus has in God’s purpose. But when we remind ourselves of these things, even briefly, and meditate on them it should have an effect such as that described at 2 Corinthians 5:14, 15:

“For the love the Christ has compels us, because this is what we have judged, that one man died for all; so, then, all had died; and he died for all that those who live might live no longer for themselves, but for him who died for them and was raised up.”

To compel means to exert a strong, irresistible force on. When we think about Jesus, the love he showed for Jehovah and for us and his vital role in God’s purpose, it has a profound effect on our attitude, conduct and goals in life.

We want people to know that this is why we are Jehovah’s Witnesses: to unitedly exercise faith in Jesus and tell people about the vital role he plays. This is why we are a worldwide brotherhood identified by love: because Jehovah and Jesus loved us. This is why we look forward to the future: because Jehovah has a purpose and because Jesus has made it possible for it to be fulfilled.

Lie To Me 1.13 Sacrifice (2009, TV) – 7/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
Mekhi Phifer:
Sean Patrick Thomas:
Molly Price:
Jonathan Banks:
Hayley McFarland: Emily Lightman
Anthony Azizi:
Bernard White:
Jennifer Beals: Zoe Landau
Supervising Producer: Josh Singer
Co-Executive Producer: Dustin Thomason
Co-Executive Producer: Adam Davidson
Writer: Josh Singer
Writer: Dustin Thomason
Director: Adam Davidson

Lie To Me 1.13 Sacrifice (2009)

The FBI use Lightman when a suicide bombing destroys a bus full of passengers.

7/10

Of course it would be marvellous if all suicide bombings could be cleared up inside a day but that’s the nature of television dramas and the story is interesting and unpredictable enough to close Lie To Me on a high. The episode title Sacrifice gets one worried that the writers had run out of ideas and would be killing off one of our heroes but, refreshingly, that’s not the case. The sacrifice comes in the form of the comic book cliché "with these powers, I shall become a superhero" and the famous Star Trek quote: "The needs of the many outweigh the needs of the few. Or the one." Lie To Me has proved to be an entertaining and interesting new show and I look forward to a second season.

This Lie To Me episode contains unpleasant scenes.

Links

Lie To Me 1.12 Blinded (2009, TV) – 8/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
Mekhi Phifer:
Daniel Sunjata:
Clea DuVall:
Emilio Rivera:
Consulting Producer: Elizabeth Craft
Consulting Producer: Sarah Fain
Writer: Sarah Fain
Writer: Elizabeth Craft
Director: Milan Cheylov

Lie To Me 1.12 Blinded (2009)

Lightman is asked to try and break a copycat rapist / murderer case but his opponent seems rather more adept at lie detection and manipulation than he is.

8/10

An episode about power and how to take it from someone who has it. It looks like Lightman has met his match and, although we know he’s the hero and this can’t possibly be, the villain is clearly causing Lightman to work really really hard for his goal. Despite the subject (serial rapist / murderer) this is good fun because it concentrates on the mind-games.

This Lie To Me episode contains adult dialogue and extremely unpleasant scenes, extreme melee violence.

Links

Lie To Me 1.11 Undercover (2009, TV) – 7/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
Kevin Tighe: Fletcher
Currie Graham:
Tim Guinee: Alec Foster
Sean Patrick Thomas:
D.B. Woodside:
David Warshofsky:
Jason Beghe:
Martin Papazian:
Consulting Producer: Tom Szentgyorgyi
Writer: Tom Szentgyorgyi
Director: Seith Mann

Lie To Me 1.11 Undercover (2009)

Lightman tries to determine if a pair of detectives are lying in the near-fatal shooting of a young man but finds there is much more at stake than he could have anticipated. Meanwhile, The Lightman Group are being sued for their role in losing the funds in the Joseph Hollin case (in Depraved Heart).

7/10

Poses an interesting moral dilemma: should you allow a definite miscarriage of justice to go ahead if it might prevent a possible catastrophe in the future? The resolution to the Alec Foster affair storyline turned out better than expected with SPOILER him having a cocaine problem and the woman being his support contact but Tim Guinee has already added another slime-ball to his entirely resistible gallery of ne’er-do-wells.

Links

Lie To Me 1.10 Better Half (2009, TV) – 7/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
David Harbour:
Mireille Enos:
Hayley McFarland: Emily Lightman
Kurt Caceres:
Karis Campbell:
Jennifer Beals: Zoe Landau
Supervising Producer: Josh Singer
Writer: Ilana Bar-Din Giannini
Writer: Josh Singer
Director: Karen Gaviola

Lie To Me 1.10 Better Half (2009)

Lightman’s expertise is called upon by his ex-wife Zoe Landau (some sort of state attorney) in the case of an arson where a child was injured and a grandmother died. Another child claims he saw a TV reporter start the fire but while Lightman doesn’t think he is lying, he doesn’t think he is telling the truth either.

7/10

Though this is directed without pace and feels much longer than it should, there is more than enough plot turns to keep things interesting. Jennifer Beals turns up as Lightman’s ex-wife and bears an uncanny resemblance to on-screen daughter Hayley McFarland; from looks alone you could easily believe them to be related.

Lie To Me 1.09 Life Is Priceless (2009, TV) – 6/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
Shea Whigham:
Fredric Lehne:
Lauren Bowles:
Cheryl White:
Richard Brooks:
Co-Executive Producer: Dustin Thomason
Writer: Dustin Thomason
Director: Clark Johnson

Lie To Me 1.09 Life Is Priceless (2009)

Lightman and Dr. Foster assist a FEMA rescue attempt to try and clear up the truth as to the locations of three missing men. Loker and Torres get an offer they can’t refuse from a billionaire businessman who wants to know if his fiancée knew about his wealth before she met him.

6/10

Two consulting producers that appeared last week, disappear this week and the opening credits return (Brand New Day by Ryan Star). Odd. While the Lightman / Foster side of the episode is pretty unconvincing this time (they seem horribly out of place), series’ morals are explicitly stated toward the end which reminds us of how unusually positive Lie To Me is: lies are found out, lies beget harder lies, lies cause damage. It is extremely unusual for Western television shows to evangelise such commendable traits. American shows, in particular, tend to advocate selfishness and power, particularly in the context of treating comparable bodies with disdain (for example, the CSI treat police as stupid or doctors will treat police as stupid or old women will treat police as stupid).

Links

Lie To Me 1.08 Depraved Heart (2009, TV) – 7/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
Daniel Benzali:
Megan Dodds:
Kirk B.R. Woller:
Hayley McFarland:
Sunkrish Bala:
Co-Executive Producer: Dustin Thomason
Co-Executive Producer: Adam Davidson
Writer: Dustin Thomason
Director: Adam Davidson

Lie To Me 1.08 Depraved Heart (2009)

Lightman involves himself in the suicide of two sisters while Dr. Foster is assisting a SCC investigation into a stolen pension fund.

7/10

The connection between the suicide victims was interesting, not something I’d seen before (SPOILER they were all surrogate mothers being taken advantage of by an immigration official). There’s something about the show which is really working emotionally. Critical scenes are hitting the mark with surprising force. This week, it’s the final scene between Lightman and his daughter as he prepares to tell her that her grandmother committed suicide. Depraved Heart is an American legal term referring to causing death by action or inaction that shows callous disregard for human life.

Links

Lie To Me 1.07 The Best Policy (2009, TV) – 7/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
D.W. Moffett:
Tim Guinee: Alec Foster
Rick Hoffman:
Alexa Fischer:
Deidrie Henry:
Writer: T.J. Brady
Writer: Rasheed Newson
Director: Arvin Brown

Lie To Me 1.07 Best Policy, The (2009)

Lightman’s life-long, best-friend ever in the history of the world ever asks him to discover who broke into a pharmaceutical lab and stole a secret formula. Dr. Foster assists the State Department with the release of Americans due to be executed in Yemen on drug trafficking charges.

7/10

The introduction of a lifelong, best friend on a television show always means that that friendship is about to come to an end. While Lie To Me is ticking off all the television drama clichés, it is working and that unquantifiable is critical. Roth does seem to be regressing into Thade (from Planet of the Apes) as the series progresses though. However, this episode does highlight a fascinating situation. In Yemen, drug trafficking carries the death penalty. Two Americans are caught carrying drugs and are will be sentenced to be executed. America throws a hissy fit and demands their return. Why? It’s not like they aren’t guilty.

Links

Lie To Me 1.06 Do No Harm (2009, TV) – 7/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
Mahershalalhashbaz Ali:
Stacy Edwards:
Christine Adams:
Megan Follows:
Bradford Tatum:
Madeline Carroll:
Writer: Jami O’Brien
Director: John Behring

Lie To Me 1.06 Do No Harm (2009)

Lightman and Dr. Foster work a child abduction case. Loker and Torres are asked by a publisher to make sure that their author is telling the truth about not partaking in war atrocities.

7/10

One wishes all child abduction cases could be resolved so nicely. While it doesn’t exactly paint the police as complete dolts, it does portray them as ineffectual until Lightman arrives. As noted before, Lightman is our hero but you do wish that television shows would present a more balanced portrayal of the other professional people in the episode.

Links

Lie To Me 1.05 Unchained (2009, TV) – 6/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
Paul Calderon:
Deirdre Lovejoy:
Brad Beyer:
Brett Rice:
Matt Bushell:
Troy Winbush:
Ross Thomas:
Supervising Producer: Josh Singer
Writer: Josh Singer
Director: Lesli Linka Glatter

Lie To Me 1.05 Unchained (2009)

Lightman tries to assess whether an incarcerated gang leader has truly reformed. Dr. Foster looks into the death of a fireman.

6/10

While not a terribly good episode with transparent storylines lagging behind audience perception, Tim Roth does get to munch a burger in someone’s face and the climax involving the is-he-or-isn’t-he-reformed gangster works emotionally.

Links

Lie To Me 1.04 Love Always (2009, TV) – 6/10 review

Tim Roth: Dr. Cal Lightman
Kelli Williams: Dr. Gillian Foster
Brendan Hines: Eli Loker
Monica Raymund: Ria Torres
Writer (Creator): Samuel Baum
Tom Verica:
Sean Patrick Thomas:
Tim Guinee: Alec Foster
Brian Tee:
Co-Executive Producer: Adam Davidson
Executive Producer: Steven Maeda
Executive Producer: Samuel Baum
Writer (Screenplay): Tom Szentgyorgyi
Writer (Story): Tom Szentgyorgyi
Writer (Story): Steven Maeda
Director: Tim Hunter

Lie To Me 1.04 Love Always (2009)

The whole team assist the Secret Service at the wedding of the son of a South Korean Ambassador when news of a possible political assassination is discovered.

6/10

Monica Raymund is certainly proving an irritant (oddly this would disappear once she started wearing her hair down, amazing) but the show is working. Just a single plot this week and while I was hoping that SPOILER the bride did it, there was plenty of entertaining hidden truths to reveal before finally getting to the real assassin.

This Lie To Me episode contains graphic gun violence.

Links